Thimeo ST-Enterprise is intended for larger media groups, which run multiple stations or channels. It does everything that Stereo Tool does, and more! With ST-Enterprise, you can run up to 50(*) FM and/or HD processors on a single pc, with a single interface to control them and an overview screen that shows the status of all the incoming and outgoing signals.

Efficient resource usage

By sharing resources between instances, ST-Enterprise makes more efficient use of the availalbe resources, mainly the processing power, and it allows you to share input sound cards between multiple processing instances.

Nielsen PPM watermarking

ST-Enterprise supports built-in Nielsen PPM watermarking. For more information about this, see our page about Nielsen PPM watermarking.

All features
Nielsen PPM watermarking
Declipper

– Repairs clipped audio
– Removes distortion, restores dynamics
– Also used by police forensics labs
Delossifier

Improves the sound of MPEG2/MP3 style lossy compressed files
Dehummer

Removes unwanted constant sounds, such as a 50/60 Hz hum from bad cables
Natural Dynamics

– Boosts percussion instruments
– Great to restore dynamics in compressed music
Automatic Gain Control

– Slowly adjusts the input level
– Can speed up on large changes
– Program-dependent dynamic timing
Low Level Boost

– Intended for classical music
– Raises the level of very low level sounds without compressing louder sounds

Multiband compressors

– Two multiband compressors
– Selectable number of bands, 2-9
– Program-dependent dynamic timing
Auto EQ / Bass EQ

– Corrects spectrum without compression
– Consistent sound without affecting dynamics
Stereo effects

– Choice of multiple stereo wideners
– AZIMUTH phase problems repair
– Mono compatible mode, no phase cancellation
– Automatic phase flip for anti-phase input
Immersive Bass

– Generates upper bass harmonics
– Much warmer, more consistent sound
– Makes bass audible on small speakers
True Bass

– Subharmonics generator
– Adds deep bass that’s missing, mainly in older recordings
Streaming final clipper

– Clean and very loud
– Hybrid clipping/limiting mode avaialble
– Safe to use for low bitrate streaming
IceCast / ShoutCast stream

– Built-in IceCast / ShoutCast streaming
– MP3 and ogg/Vorbis, for now
AM processing

– Upto 200% asymmetry
– C-QUAM stereo and NRSC curve supported
– Extremely steep bandpass filters
Built-in microphone processor

– Software mixing console (control via tablet!)
– 2 channels
– Runs alongside normal compression
– No extra latency added
FM Stereo / RDS / RDBS

– FM pre-emphasis
– Built-in stereo and RDS encoder
– Remote control via UECP or Telnet
– Supports RT+, EON, TMC, EWS, IH etc
FM ITU-R BS.412 limiter

– Inaudible(*) BS.412 leveling
(required in some EU markets)

(*) If setup correctly
FM Composite Clipper

– Clean and very loud
– Upto 140% audio level at 100% FM modulation
– Gives 2-3 dB extra headroom for highs
– Improves reception
– Strict ITU-R SM.1268 (‘Stokkemask’) compliance
– Be the loudest and cleanest station on the dial!
FM multipath protection

– Reduce RF bandwidth to improve reception
– Compatible with all receivers
– Upto 30 km bigger stereo reception area (*)

(*) Reported by several stations, after switching
to Stereo Tool from other processors.
FM MicroMPX streaming

– Streams the full composite signal,
with pilot / RDS, to transmitter sites over IP.
– Minimum required bitrate 320 kbit/s
– Redundancy possible
– GPS syncronization possible
– Software and hardware decoders available

Thanks to CRD release

(Installer with keygen) x64

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